Anjali Tyagi All articles
Personal Essay

Forty-Seven Seconds of Amber: The Voicemail I've Carried Through Five Phones

Anjali Tyagi
Forty-Seven Seconds of Amber: The Voicemail I've Carried Through Five Phones

Photo: Edho Pratama edhoradic, CC0, via Wikimedia Commons

Somewhere in the cloud, wedged between a two-factor authentication backup and a video of my nephew eating a lemon for the first time, lives a voicemail from March 2013.

It is forty-seven seconds long. It is from a woman named Priya, who was my closest friend for the better part of a decade and is now someone I see mainly in other people's tagged photos. And I have transferred it — manually, painstakingly, like moving a sleeping child from the car to the bed — through five separate phone upgrades.

I want to talk about why.

The Message Itself

Here's what she says, as best as I can reconstruct it, because I've listened to it enough times that it plays in my head even when my phone is across the room:

"Hey, it's me. I know you're probably at the studio. I just — okay, I had a weird day and I didn't want to text it because it sounds insane in text. My mom called and, whatever, that's not even the point. The point is I was driving past that diner on Clark Street and I swear I could smell pancakes from inside the car, which is not possible, but anyway. Call me back. Or don't. Actually do. Okay, bye. Love you. Bye."

That's it. No great revelation. No emergency. A woman in her car, smelling phantom pancakes, asking to be heard.

And yet I have carried this message across a decade the way other people carry a locket.

What We Choose to Keep

I've been thinking a lot about the difference between deleting and archiving, and I don't just mean on phones. When Priya and I drifted — and it wasn't a fight, it was the slow continental drift that happens when one of you moves to Portland and the other stays in Chicago and the texts go from weekly to monthly to birthday-only — there was no moment where I decided to let the friendship go. There was just a long, quiet accumulation of unreturned messages.

But the voicemail stayed.

I think it stayed because it's the last recording I have of the way she talked to me — not to a group chat, not to an Instagram comment section, but to me, specifically, at a time when I was the person she wanted to call about phantom pancake smells. That's a specific and irreplaceable document. Museums fight over less.

There's a version of me that believes in digital minimalism. Delete the old emails. Clear the camera roll. Marie Kondo your notifications. And I've done all of that, mostly. But I've come to believe that some things aren't clutter. Some things are ballast. You keep them because they weigh you down in the good way — the way a stone paperweight keeps the pages of a book open.

The Technology of Keeping Someone

The technical hoops I've jumped through to preserve this file would be funny if they weren't so telling. Voicemails don't transfer automatically between carriers. I once had to call Verizon and ask a very patient man named Doug how to save a voicemail to my computer, and he walked me through it while I could hear him trying not to ask why. (Doug, if you're out there: it was worth it.)

Each time I upgrade, there's a small ceremony. Back up. Export. Convert to an audio file. Save it in three places, because the cloud is a landlord and I'm a tenant. It takes ten minutes. It's the most loyal thing I do all year.

And every so often — usually late at night, usually after I've seen her name somewhere — I play it. Not to be sad. Honestly, it doesn't even make me sad anymore. It makes me pay attention. It's a forty-seven-second masterclass in how my friend used to circle a thought before landing on it, how she'd say "okay, bye" twice because one goodbye never felt sufficient, how she'd end every message with "love you" delivered so fast it was almost one word.

Letting People Finish Their Sentences

Here's the thing the voicemail actually taught me, the thing I only understood around the fourth phone upgrade.

Priya never got to finish. Not that message — she did, technically — but the larger sentence. The friendship was a story interrupted mid-clause. And for years I told myself a tidy version where we simply outgrew each other, two people changing at different speeds. That version is convenient and mostly true and completely incomplete.

The voicemail keeps the incomplete part honest. It reminds me that there was a person who called me on a Tuesday because she didn't want to text a feeling, because she believed — and I think she was right — that some things sound insane in text and completely reasonable out loud. That belief was the whole engine of our friendship. And I never told her I noticed it. I never finished that sentence either.

So now, when someone starts rambling at me — a coworker circling a point, a stranger at a bus stop, my mother on a Sunday call — I try to remember that the circling is the point. Nobody calls to say the thing. They call to get ready to say the thing. The forty-seven seconds of preamble is the message.

A Small Proposal

I'm not going to call this a resolution to reach out to Priya. Some drifts are meant to stay drifted, and I've made peace with the possibility that we're both better narrators of each other's pasts than participants in each other's presents.

But I will say this: if you have an old voicemail from someone you loved in a specific, unrepeatable way — save it. Export it. Put it in three places. Not because you'll need it, exactly, but because future you deserves the option of hearing how you were once the person somebody wanted to call.

Forty-seven seconds. Five phones. One voice, still asking me to call back.

Okay, bye. Actually, one more thing. Okay, bye.

All Articles

Related Articles

Seven Versions of Me Live in My Junk Drawer

Seven Versions of Me Live in My Junk Drawer

Eleven Years in Transit: The Letter That Came Back to Meet Me

Eleven Years in Transit: The Letter That Came Back to Meet Me

Twenty Years, Five Apartments, One Overdue Book: What I Owe the Cleveland Public Library

Twenty Years, Five Apartments, One Overdue Book: What I Owe the Cleveland Public Library